Bard URF Calendar
Wednesday, October 12, 2011
Velvet Weekend!
Wednesday, September 21, 2011
CAGED is imminent!
You know the drill: bardurf.blogspot.com
This week we are all focused on CAGED, an event headed by our own Izzy Filkins at the Global vs. Local event this coming weekend!
CAGED takes individuals who volunteer to express what makes them feel trapped in the Bard community. By sitting in a cage in the campus center for a short time, they show their state along with a written statement of their predicament.
The details and protocols are loose and subject to change, but if you would like to be involved, please contact us immediately or show up at the final planning meeting on Friday at 6pm in Village J.
In other news we also are working on a fun project for Halloween: the Bard Haunted House! Get in contact with us if this interests you, as we are just in the preliminary stages of work.
<3 URF
Tuesday, September 13, 2011
We Need Volunteers!
Wednesday, September 7, 2011
First Update, Towers of Thought and CAGED
Welcome to another year of Bard URF! This year we are the Union of
Ridiculous Freelancers (last year we were the Unlikely Realists'
Forum), so let's get to business!
Upcoming Events!
SURPRISE I won't list these because our calendar of events appears on
the front page of our blog now! This calendar will include our events,
as well as events and clubs we particularly like. This includes Poi
Joy, Tsuuuuupa Hoop, No Diner Cast, Mental Academy, Surrealist Circus
and others!
Of course emails will contain blurbs, but more complete information
will always be linked to: bardurf.blogspot.com
If you have suggestions for things to go on the calendar, email
bard.urf@gmail.com
More importantly, these emails will usually contain updates and
information on projects in motion, as opposed to those that are plan
and set:
Towers of Thought: Ten Years Later
Project Heads: Amii Legendre and Jono Naito
This Sunday we will be handing out notecards at the 9/11 screening and
panel. On these people will respond to the event or our questions. We
will compose these cards into long strands that are placed throughout
the Campus Center in pairs. They are offset in height slightly to
suggest the towers symbolically. We will hang these on Sunday, Monday,
Wednesday and Friday morning, then take them down the next Sunday (a
week later). These responsibilities can be distributed among several
people so we don't overwhelm one person.
We will offer people to write more responses on cards on 9/11, the
bonfires and at the info desk until Friday, occasionally hanging more
pieces.
We will also be running 9-11pm bonfires on the 11th, 13th and 15th as
"safe spaces" to discuss some poignant questions as posed by Amii.
Show up to help keep things rolling and to share your thoughts.
CAGED
Project Heads: Jono Naito, Izzy Filkins, Brian Mateo
On the weekend of the 24/25th this month there is a large scale event
called Global vs. Local, designed to look at how subjects we try to
deal with abroad (discrimination, for example) may not be as well
focused on in our own community. Ann Seaton, Brian and Amii have all
invited us to conduct the CAGED event in the Campus Center during
either or both days of this event.
To explain CAGED, it's is a performance art piece where a person
displays an honest and heavy confession abut themselves feeling
trapped in their community while they sit in the cage. Volunteers and
confessions are switched out every hour. Whether the cage is
decorated, if the volunteers can talk, etc. will be discussed at
volunteer meetings.
We need a cage. We need volunteers. We need to move fast. A meeting
slot will be selected ASAP to start the mediation between volunteers
to go in the cage. Speak to Izzy or Jono immediately to get involved
ASAP. For example, jn8828@bard.edu is a good place to start. Warning
to volunteers: You are expected to be very honest and to be brave in
making a personal statement. Do not take this lightly. If you know
anyone who would like to do this, tell them!
Contemporaneous is this weekend! Go to it. Hoop/Poi/Improv/Circus
should all be attended as well. Have fun! Get involved if you want to
help out, otherwise have a nice week.
<3 URF
Saturday, September 3, 2011
TSUPA HOOP
Tuesday, August 30, 2011
Running an URF Project
By taking on a project, you are committing to doing a peice of work woth the resources and manpower of URF at your disposal, although you must motivate the process on your own. This is likely preferred to a sytem of officers who oversee different processes (aka one person always does advertising), instead letting a given individual locate the necessary people and materials to do anything.
Note that Village J remains ours through a diligence to offer things to the community. By choosing to head a project, you are being awesome and have helped Village J not only remain, but thrive.
Below is a checklist of things to consider:
-Most important of all: Set a date that works! Try not to conflict with other things, and once you have a date, stick to it and prepare as well as possible. It is hard to change things at the last second. There are/will be two slots that are identified as good times to plan things, and the schedule for these time slots will be available in the laundry room. Grab 'em quick!
Screenings/Meetings/Music Exchanges/Other events in J suites
-Advertise!
-Send the date, time and info to jn8828@bard.edu and I will post it on the SPARC calendar for all to see, as well as put it in the weekly update.
-Get permission from the hosting suite
Events elsewhere:
-Guerilla art or performance art may need training, rehearsal, preperation, etc. but may not need registering, etc.
-Advertise more!
-Stop by SPARC to reserve the space, put it on the calendar and register it! I can't do this for you, but if you stop by when I'm in the office it'll be easier. If you stop by any other time, you need to bring a second event host.
-Send me info to put in the weekly update.
-Locate people and prepare them for anything that needs to be done.
-Meet with special staff and ensure the event can be run (e.g. in Kline)
-Submit check requests and reimbursement information to access club budgets.
<3 Jono
Friday, August 26, 2011
Potential Projects
-Amii would like some people to do an event for 9/11
-The CAGED event can be staged
-Freeze in Kline
-Organic Canvas '11
-Brian wants to do Paparazzi
-Begin screening Game of Thrones each week
-Another Beatboxing workshop by AmstarKatz
-PC's are thinking of making Manor into a haunted house this October
-Officially sponser NaNoWriMo on campus
-Retool and restart the URF book club
-Donut Ninjas!
If anything comes to mind, be sure to mention it at Homecoming!
<3 Jono
Monday, August 22, 2011
Homecoming
<3 Jono
Wednesday, July 27, 2011
Hey, Summer?
Monday, April 25, 2011
Bard URF Returns!
Thursday, March 24, 2011
Spring things
Monday, January 31, 2011
Thursday, January 27, 2011
Review: Black Swan
Normally I am not compelled to write a review, but maybe that is already a testament to this movie that I wish to comment.
I’ll start with something that one may immediately critique: the innocence of Natalie Portman’s ballerina character at the beginning will throw you off, but you will accept it soon enough, or even miss it as the roller coaster moves forward.
The cinematography is varied, nearly every shot is made special. Wrought with symbolism, subtle effects that almost seem to be inventions of the mind and both careful camera movements (for dancing) and rough changes (for real life) that keep what you are seeing lively and interesting.
The pinnacle of the performance is Portman, who plays every angle of anger, pleasure, innocence, forced cooperation and lost sensations with true merit and fervor. I can only say little of the extent of her performance that actually honors its range and depth.
Will you like this movie? I don’t know. You will either adore it or despise it. Each moment will drag you through intense moments of hilarity, madness, fear, sensuality and passion as this movie, preposterous as it may be, captures you for every moment. The mixing of unnerving sounds with the murmurs and crescendos of the music of Swan Lake itself highlight the scenes well, and regardless of your suspension of disbelief you will feel involved in all of Portman’s confusion and fear in her interactions with an excellent supporting cast. In a movie where you are not sure what is real you are only sure of what you see when Portman rehearses with the company, and that you are having some true visceral reaction to everything else.
No matter your opinion, the common person would agree that it was worth seeing, either to love or laugh at. And I feel anything worth your time is truly commendable entertainment.